Stellenbosch Triennale 2020
11 February 2020
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30 April 2020

We are starting here, from the place that has seen us bloom and perish. We start in the South, the corner, and from here we will expand. We start here with and without, displaced and disposed – we look towards the horizon and we see Tomorrow There Will Be More Of Us.
As direct extensions of history, we are remembering – through the ancestral awakening – that exhumes the ancient on a global level. We experience our imagination as a sharpened tool in our state of becoming. Our grandmother’s technology becomes the compass.
So, in the newness of things, we acknowledge Africans as the first modernist through the Transatlantic Slave Route. It is here we imagine. As borders are tightening, deep migration lines etch the Mediterranean – some will mark the sea with their bodies, some will arrive as immigrant amongst other things.
In the litany of survival, being here is not a theoretical problem but an everyday lived experience. Artists and curators use the creative space as their weapon and arsenal to change what must be our common future.
The remembering, is the act of tracing memory. The ancestral, is the act of cultural recovery, the inheritance and familial. The spiritual, is the act of connecting and positioning of oneself through soulful alignment. The imagination, is the act of forming new ideas and concepts not present to the senses. The becoming, is the act of enabling radicalized desire thus creating new individuations and affections.
And as Gloria Anzaldía reminds us, “nothing happens in the real world unless it happens in the image of our heads”.
Curatorial Statement
Tomorrow There Will Be More Of Us

ST2020 | From The Vault
From the Vault exhumes archives and engages with buried museum collections as a critical resource to contextualise and map contemporary society and culture. It concerns itself with exhuming work that has long gathered dust in museum memory, bringing these works to the surface as an unravelling of history, an undoing of narratives.
The exhibition represents a critical engagement with time by browsing through historical acquisitions, examining their significance as fragments of the past and showing how museum vaults can be a compass for the future. From the Vault is a looking back, a narrative alignment in service to our imagination and a way to work with memory as a future possibility.
This inaugural exhibition examines the university art collections from Stellenbosch University and the University of Fort Hare, forms part of the education programme and will focus on history of art and art as a mirror to society.
Curators: Mike Tigere Mavura and Gcotyelwa Mashiqa
Location: Stellenbosch University Museum – 52 Ryneveld Street, Stellenbosch
Opening hours:
Mon – Fri 09:30 – 16:30
Sat – 08:00 – 12:30
Sun – CLOSED
Made possible by Strauss & Co

ST2020 | Curators' Exhibition
When emancipation is professed, we may seem to have been at journeys for so long that we become complacent with the paths we traverse. To speak of tomorrow when yesterday is to be birthed today, to propose fixity when flux is the stuff of life.
And the songs of praise, too early to be fully formed, fall from lips that cannot fathom the depths from which to evoke tribute, not when we say, but why we say what we say…
To speak about something even before it comes into being suggests clairvoyance, not of the prophetic type. Yet, speak we must, for it has become habit. For whom acts of deliberation and patience are no longer virtues, what needs to be done always needs to be done, damning all costs. …tomorrow, there will be more of us…
And so, 20 artists are invited from different parts of the continent and through their work we can explore, examine, interrogate, question, view and experience the present.
Curators: Khanyisile Mbongwa and Dr. Bernard Akoi-Jackson
Location: The Woodmill Lifestyle Centre – Vredenburg Road Devon Valley, Stellenbosch
Opening hours:
Tues – Fri 10:00 – 18:00
Sat – 10:00 – 16:00
Sun – 10:00 – 14:00
Mon CLOSED

ST2020 | Concepts of Freedom: Video Art Exhibition
African storytellers, if their craft is to have value, need to re-text the narrative process and their engagement with the perspectives offered by a deliberate exploration of ‘other’ and ‘self’. How we navigate conceptions of freedom in motion picture need to be dictated by an inherent ‘knowing’; of history, of connections to ancestry and of rich cultural contexts.
The work in this exhibition and film festival responds to the shifting landscape of visual engagement. With our interrupted history in frame, the artists make it apparent that the most effective approach to expanding the medium of visual art is… Whatever we want. BUT, it is important, however, to remain in dialogue with existing mediums; ones that have served different functions on the continent: what was and is already here.
Location: Voorgelegen, 116 Dorp Street, Stellenbosch
Opening hours:
Mon – Fri 09:00 – 16:00
Sat – 10:00 – 16:00
Sun – 10:00 – 14:00

ST2020 | On the Cusp
An exhibition of artworks by 10 young African artists, On the Cusp is about revealing and unraveling the creative talents of tomorrow. Focused on graduating visual art students and young art practitioners who have pushed their creative boundaries and sit on the cusp of beauty and magic through their aesthetic, conceptual, critical, material choice, form or installation methods. On The Cusp is a point of transition between two different states; a pointed curve where two ends meet; an intersection of creative elements. It is looking at the present and seeing what the creative promises to deliver to the future through their imagination and innovation.
Curator: Dr. Bernard Akoi-Jackson
Location: Libertas Parva (Little Libertas), 25-33 Dorp Street, Stellenbosch
Opening hours:
Tues – Fri 10:00 – 18:00
Sat – 10:00 – 16:00
Sun – 10:00 – 14:00
Mon CLOSED
Made possible by Distell

ST2020 | Die Braak Pavilion
Die Braak Pavilion
Our life-giving armature
The inaugural Die Braak Pavilion is situated on the Braak, Stellenbosch’s town square. Ironically, the name means fallow land, a description often used in post-apocalyptic art and movies. If we do not care for our planet it eventually will become "Braak." Echoing the triennial theme "Tomorrow there will be more of us", the intervention invited participants to ultimately determine the aesthetic of the pavilion, just as our choices will determine the "tomorrow" of our planet.
The pavilion is a fusion between the disciplines of public art, sculpture and architecture. The pavilion can be considered the 'armature' or skeleton which keeps the conceptual notions upright and 'grows' throughout the triennial as people participate in its making. An afterlife for the pavilion is envisaged: as a playground for a crèche or perhaps a shading device for local crafters. Conversations around everyday materials and their afterlives are integral to the message the pavilion portrays.
The notion of 'embodied experience', explained by architectural theorist Juhaani Pallasma as a full sensory experience in time and place, is the foundation of the pavilion. It is intended as a space to be experienced, to be interacted with and contributed to.
By providing only the armature as a defined structure, the pavilion encourages local artists and the community to participate in the filling of the pavilion. Waste materials such as discarded fishing nets, ropes, plastic bags and nylon packaging will be woven and knotted as infill material. The reuse of waste material will communicate the value of waste and the future of a waste economy. The pavilion stands as a metaphor for the future of our planet's depleting resources and the value of what we today refer to as "waste".
By assuming the role of facilitator, rather than that of the author, the architects allow the edifice to become a catalyst for a larger message belonging to the greater community.
The participatory process of the inaugural architectural pavilion will be documented as testimony to the potential for symbiosis between creatives and observers, the planet and the people.
Curator: Pieter Matthews
Braak Pavillion made possible by CS Property.

ST2020 | African AD - Music Intervention
“We Cannot Arrest The Sound”
Tracing sound and sonic scapes as archive and knowledge production is a way to engage with music and songs as a connection through time; a map holding old memories and future stories.
Through African AD we explore African sounds and dancing as a constant connection and conversation with the cosmos. We examine how movement breathes life into things, how it is a call to maintain an equilibrium between reverie and reality. If music is an expression of spirit, then performance is spirit embodied. African AD thus explores the congregation of sounds and vibrations that permeate Africa by inviting artists, musicians, DJ’s to search the archives and put into composition their encounters and experiences via this platform.
Curator: Khanyisile Mbongwa
Various locations throughout Stellenbosch
Opening times:
Friday 24 April – 19:00 – 00:00
Saturday 25 April – 19:00 – 00:00
Open to the public – Free entrance
Participating Artists
Exhibitions
Featured Artworks

Khanyisile Mbongwa
ST2020 + ST2025
Chief Curator
Khanyisile Mbongwa is a Cape Town-based curatorial theorist and sociologist who engages with her curatorial practice as Curing & Care, using the creative to instigate spaces for emancipatory practices, joy, play and Black Aliveness. Mbongwa is the founding Curator of the Stellenbosch Triennale, her other recent projects include: Inaugral curator of the Hazendal Festival 2024 Bele nje, Abathulanga; curator of Liverpool Biennial 2023 'uMoya: The Sacred Return of Lost Things'; Curator of History’s Footnote: On Love & Freedom at Marres, House for Contemporary Culture in Maastricht, Netherlands 2021. Mbongwa is a PhD candidate at the Institute for Creative Arts, University of Cape Town and is a Blak C.O.R.E (Care of Radical Energy) Fellow at the University of Melbourne 2024-2025.

Bernard Akoi-Jackson
ST2020
Curator
Bernard Akoi-Jackson is a Curator for the Stellenbosch Triennale and a Ghanaian artist based in Tema, Accra, and Kumasi. His multidisciplinary, audience-engaging installations and performative "pseudo-rituals" have been featured in prominent exhibitions such as An Age of Our Own Making in Denmark, Material Effects at the Eli and Edythe Broad Museum in the USA, and WATA don PASS: Looking West in Lagos and Sweden. Bernard’s work has also been exhibited at the Stedelijk Museum Bureau Amsterdam and the Nubuke Foundation in Accra, Ghana.

Dr Mike Tigere Mavura
ST2020 + ST2025
Assistant Curator
Dr. Mike Mavura leads Pamurove Foundation, a land-based social practice in Domboshava, Zimbabwe, blending social sciences, indigenous knowledge, and popular culture to explore civics, spaces, and design. His work spans curatorial projects, ecological interventions, rural design, and university teaching. Mavura’s fellowships include Liverpool Biennial Curators’ Week (2023), TURN2 Residency at ZK/U Berlin (2021), and Lagos Biennale Residency (2019). He holds a PhD in Politics from Rhodes University and a certificate in Conservation Agriculture from the Foundations for Farming Institute. He serves on the Stellenbosch Outdoor Sculpture Trust and ZK/U Berlin’s Advisory Board.

Pieter J. Mathews
ST2020
Pavilion Curator
Pieter J Mathews is the Event Architect for the Stellenbosch Triennale and principal of Mathews and Associates Architects, an award-winning firm in Pretoria. He curated the South African Pavilion at the 2016 Venice Biennale and played a key role in the development of the Javett-UP Art Centre. Pieter holds a Master’s degree in curation and regularly serves as an external examiner at South African architecture schools. He has also published books on architectural theory and designed furniture for Southern Guild.

Jay Pather
ST2020
Curatorial Advisor
Jay Pather is the Curator of the Performance Art Festival for the Stellenbosch Triennale and a renowned South African curator and choreographer. Based in Cape Town, he directs the Institute for Creative Arts and curates both the Infecting the City Public Art Festival and the ICA Live Art Festival. Jay has curated internationally for events such as Afrovibes in the Netherlands and Bienal de las Artes in Madrid. A Chevalier des Arts et des Lettres, he has also published Transgressions: Live Art in South Africa and contributed to works on urbanism and performance.